...and as I removed the film from my Continette I see that I had written the number 14 on the side of the roll. By the looks of it, there's some shots of Chris Burden's "Urban Lights" installation at LACMA and some other random shots of plants and streetscapes showing through each of these frames. In some cases they make for a nice composition.
Drive-by shootings: Continette w/ expired film.
DOCUMENT: West Adams (WA) 20160213_Tastemaking, Vinyl records, organic vegetables, and a humble Superiority Complex as a way to reinforce the community in the face of gentrification.
From a productivity point of view, today was one of those days in which not much on my list got done, but I'm going to blame the weather for that. You see, it's Winter in Los Angeles, and it is about 80 degrees outside. It is not my fault.
My friend Dylan texted me yesterday saying he wanted to shoot some pieces of graffiti in my neighborhood. He has been working on a wet plate collodion project called "Public Access", and since he told me about it, I have been pseudo-scouting my surroundings for him.
We met around 8:30 and headed out all the way to the end of the block to shoot a piece called Supernatural Conductor by Ekundayo. I shot around the block, and documented his process on film as he prepared the plates, loaded up, shot the image and developed the plate in a make shift chemistry lab / dark room right on the sidewalk. Then, we drove around back streets and alleys looking for other potential pieces to shoot. We wrapped around noon and went our separate ways.
Having shot just one roll of film and carrying two other loaded cameras with me, I still had the urge to explore some more and look for opportunities to shoot for myself. Instead curiosity struck me and I had to check out a small retail community brewing up on Adams Blvd. West of Fairfax, Adams Gateway.
Adams Gateway is a brilliant, guerrilla type urban retail intervention in shipping containers which has the potential to revive, or jump start the soul of the West Adams community by bringing together new and potential residents as well as deep rooted families that have lived in the area for decades by offering cool shops with local crafts, a soon to arrive coffee truck, vintage goods, amazing and funky music at Dig It Vinyl and locally designed wicked clothing for those with a rockabilly attitude at Superiority Complex. I myself can't wait to get my WA T-Shirt from Tastemaking , they didn't have my size today :(. I think it is going to be the I ♥ NY of Mid City. Oh! And here's the best bit; ORGANIC vegetables at DO. Yes, I said "organic". And it is right next to J n J's Burger Shack / BBQ, a neighborhood staple serving BBQ ribs, Pork Belly sandwiches and burgers.
Don't get me wrong, I still cringe at the idea of gentrification, but what I think that I'm witnessing here is perhaps the best example or urban sensibility to the existing community and growth while addressing need; and it is happening from within, promoting residents, and local crafts before corporate sterility.
Grand Central Market
As with many forms of expression there is something about the feel of the pen on the paper, the touch of the brush on a canvas, or in this case the need to press that button and hear the click and shutter noise that keeps us wanting to do it again and again. We don't know why this happens. We just know that we believe we see something that we must record.
Whether it is in the form of a painting, a poem, a photograph, a story written or told, there's an idea behind it pushing in our veins and activating our bodies to express it in physical form in order to get it out into the open.
For this particular exercise, I decided to give myself a destination and do a little street photography in an attempt to get a more intimate understanding of what makes Los Angeles special. Now, please understand that I find photojournalism, nature, and street photography to be some of the most challenging genres in the medium, and that I hold those who do it with the upmost respect.
This is by far a craft that is very difficult for me, and my little field trips are small attempts to walk in the shoes of those who have mastered the craft such as André Kertész, Henri Cartier-Bresson, Bill Cunningham and so many others and examine the relationship between the photographer, the city, and its people in an age where our consciousness of the camera is either this ubiquitous annoyance of people taking selfies all around us, or that of an intrusive eye hatching over our everyday lives.
Whether we like to admit it or not, the relationship between a photographer and his / her subject is very different today than what it was just 20 years ago.
Digital vs. Analog
There is of course many sides one can take about what equipment is best to use for what situation. I will leave those discussions to those who are well versed in the latest equipment and / or tutorial sites, which by the way, can be very helpful if you are looking for a place to start your research. My personal attention is more towards the experience of being a street photographer and what effects it may have in my (or your) growth as such.
Most of the time I shoot with a Canon 50D, and if I'm going to an event or location where photography is typically expected to occur, or while travelling I will take that with me. But, for me, digital has two consequences;
1. Since it allows you to collect as many photos as you can fit in your memory card, one tends to do just that and shoot indiscriminately while letting the camera do most of the work. In this situation, I find many times that although I may have collected many photographs, I have missed the experience of being there, especially if visiting a museum exhibit, travelling, visiting a building, or a performance event. The rare exception to this is in occasions where your whole body is fully involved as when taking photos of sports like surfing or skateboarding. I believe in those situations, your level of awareness is heightened exponentially for reasons of self preservation.
2. Disposability. When shooting digitally some of us may simply not take the time it takes to make the shot count. Although I do have a tendency to "shoot from the hip" and sometimes catch some worthy images, I mostly appreciate those shots where I slowed down, composed the shot and waited for the right moment. The limited number of exposures, and the cost of film and developing force me to think about what I'm shooting.
That said, I currently shoot with a very well worn Canon A-1, or a Continette Ikon. I also find that most people are curious about someone shooting with film and tend to be more friendly. Compared to the 50D with a zoom lens, the smaller size of the film camera body and (fixed) lens are also perceived as less intrusive. On the other hand, it does mean that you have to be where the action is to take the shot.
What I chose to share with you in this blog are mostly shots of the mundane day to day details of the world around us that for some reason grab my attention. Moments or situations that are sometimes inspiring, sometimes ironic, funny, disturbing, sweet, graphic, violent, romantic, unique, redundant....you name it. Basically the shit that we see everyday that perhaps if captured in a photograph may just slow us down for a moment of contemplation.
Thanks for stopping by.
Jorge